Exhibitions
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14th May – 24th May 2025
Sacred Whispers is a compelling solo exhibition by artist Jitender Dangi, whose vibrant, layered works draw the viewer into a kaleidoscopic journey of myth, memory, and metaphor. Known for his intricate, symbolic compositions that merge the sacred with the sensual, the mystical with the material, Dangi’s art pulses with a unique visual rhythm—one where stories are nested within stories, and colors are vehicles of emotional and philosophical expression.
1 January 2025 – 30 January 2025
Echoes of Elegance is a celebration of artistic diversity, a journey into the many dimensions of elegance, reimagined through the lenses of contemporary creators. In a world defined by rapid change and complexity, this exhibition seeks to redefine elegance-not merely as a marker of refinement and beauty, but as a profound reflection of the human experience.
Gathering voices from various cultural, artistic, and technical spheres, the exhibition transforms the concept of elegance into a living dialogue. Each artist’s work reveals a unique narrative – some tenderly inspired by nature’s serene poise, others shaped by the vibrant chaos of urban life, and still others delving into the depths of personal and collective identity. Together, these creations weave a tapestry that challenges conventional notions, presenting elegance as fluid, inclusive, and deeply resonant.
2 November – 18 November 2024
Solitude In My Cacophony is a solo exhibition showcasing the nuanced and meditative works of Bhuwal Prasad, an artist whose practice fuses tribal visual language with the expressive freedom of abstract art. Born in Azamgarh in 1987, Bhuwal trained at the Faculty of Visual Arts, BHU Varanasi, and later at the College of Art, Delhi, developing a distinctive voice that speaks in textures, lines, and silence amid noise.
This exhibition is a journey through the paradoxes of self — how the personal and the ancestral, the simple and the complex, the ordered and the chaotic, can coexist in a delicate, layered harmony.
The title Solitude In My Cacophony captures the essence of Bhuwal’s work: a quiet, contemplative voice inside a storm of visual activity. His canvases — now often replaced by corrugated cardboard sheets — become fields of texture and rhythm, where tribal line-drawing traditions and abstract visual energy converge in a language both timeless and contemporary.
While tribal art is rooted in storytelling, simplicity, and the use of natural materials, Bhuwal brings it into conversation with the non-linear, spontaneous spirit of modern abstraction. The result is a body of work that looks inward even as it hums with complexity — a reflective solitude within visual cacophony.
12 October 2024 to 26 October 2024
Cirque Du Art is a solo exhibition that presents the multifaceted and emotionally resonant works of Viren Tanwar, an artist whose creative journey has been shaped by his rural roots, academic excellence, and an enduring engagement with the human condition. Born in Hissar in 1952, Tanwar’s evolution from a small-town fabric-dyeing tradition to international art education at the Slade School of Art, London, funded by the British Council, is reflected in his richly layered and stylistically diverse oeuvre.
The title Cirque Du Art invokes the motif of the circus — a site of spectacle, illusion, vulnerability, and performance. In Tanwar’s world, the canvas becomes a stage where the acrobatics of modern life play out: the ecstatic and the painful, the sacred and the profane, the ornate and the stark. Through his signature play of form, light, and shadow, and vivid color, Tanwar invites the viewer into a carnival of visual experience where complexity meets naiveté, and joy is inseparable from hardship.
The works on display move between thematic polarities — spirituality and sexuality, religious iconography and corporeal presence, ritual, and rebellion. Much like a ringmaster in a symbolic circus, Tanwar orchestrates figures and forms that echo ancient traditions and contemporary realities.
26 September 2024 to 3 October 2024
A Tale to Tell is a solo exhibition by Farhad Hussain, a master of visual storytelling whose art reveals the unspoken tensions and subtle ironies buried beneath the surface of everyday life. With a signature use of vivid, saturated colors and densely populated compositions, Farhad draws the viewer into scenes that, at first glance, exude joy, festivity, and warmth — only to unravel into complex commentaries on human behavior, social masks, and the performative nature of modern relationships.
Farhad Hussain’s work is rooted in the human figure, and every figure he paints is integral to a larger story — a tableau of interconnected lives, frozen mid-gesture, yet echoing with emotion and implication.
In A Tale to Tell, the viewer is invited to look beyond the facade — to question the smiles that seem too wide, the colors too cheerful, the harmony too staged. Farhad’s canvases are deceptively exuberant, bursting with dot-by-dot applied color and theatrical composition. But embedded in this visual spectacle is a darker narrative: one of emotional isolation, social pressure, and the contradictions of communal life.
6 September 2024 – 14 September 2024
With great pride and anticipation, Creativity Art Gallery presents Kaagitam Kalam Sera, a solo exhibition by celebrated artist Gouri Vemula. In this latest body of work, Vemula invites the viewer on a transcendent journey through imagined mythic landscapes — an emotional and visual terrain where memory, mythology, and fantasy merge through masterful strokes of pen, ink, and printmaking.
The title, Kaagitam Kalam Sera — loosely translated from Telugu as The Union of Paper and Pen — is both poetic and profound. It encapsulates the essence of Gouri Vemula’s practice: the silent but powerful intimacy between medium and message, material and imagination. Her work embodies this union through an intricate play of lines and textures, born from drypoint etching, pen-and-ink drawing, and layered visual storytelling.
12 August – 26 August 2024
Every nation is a world within itself. It’s a microcosm of constantly changing contexts, identities, meanings and conditions. We exist in that world of multiplicity. It is an assortment of various environments that involves different demographics, economies, belief-systems, social-structures, politics and so on. The multi-perspectival positions and various streams of data thrive side by side within this system; they can be singular or compound, and then conversely combined as a unified whole. It can be argued that, if we don’t have a corrupted empirical understanding of our surroundings we inhabit, and resonate genuinely within our immediate contexts, we surprisingly realize that the world we inhabit is a polyglot & has been immensely diverse for a long time. We eventually realize that we are all hybrids of that coexistence in our human conditions.
The nations that have operated in a vastly single language already have fused together and developed new meanings. Within its linguistic world, a unique synchronicity has conquered the territorial supremacy of dialectics, jargons, generics, and literary epochs. It is within this juncture that I propose “THE WAY THINGS GO” a solo art exhibition, that provides an opening for the fusion of two art spaces – of myself and my surroundings, it can be called as a scenario where artworks – painting and sculptures, as ‘horizons’, to be kept side by side to each other. These horizons can be further experienced through conceptual structures, media and other materials that form & generate our understanding of what is art, and how it addresses my praxis in this world – as truths or representations of truths about art.
22nd July – 31st July, 2024
Abstraction holds the power to transcend the physical realm, allowing
the human mind to perceive and connect with the intangible essence
of the world around us. This transformative quality of abstraction is
beautifully embodied in the artistic journey of Tejinder Kanda, a
versatile and acclaimed artist whose practice has evolved from a
figurative style to a profound exploration of the abstract.
Kanda’s current series, titled “In-Within”, showcases his mastery of
the abstract form, utilising impasto techniques and a vibrant palette
of acrylics to create canvases that captivate the viewer and evoke a
deep emotional response. Kanda’s artistic exploration delves into the
uncharted territories of the self, as he seeks to uncover the
“unidentified and unknown” within, translating this internal voyage
into a dynamic and visually arresting series of paintings. Kanda's
artistic evolution exemplifies the paradoxical nature of abstract
representation, where the artist utilises a non-representational
language to convey profound ideas and emotions.
06th April – 20th April, 2023
Art… a prism which echoes vibrant moods, leaves behind a special sihnificance to the core… What else better than an art piece, can strike the right chord with the sense of the seeker… Splashes of colors on a canvas stroked with a hidden story line, somewhere in it, you find the world you were seeking for long… Just one gaze and you feel if it’s carved just for you only… Such unsettled enigma of emotions is rare to be seen, but “Creativity Art Gallery” is blessed to be a witness of such sensations chronically! With a dream to bequeath a house of art to artist and art lovers, Creativity Art Gallery was flagshipped in 1999. Housingart from all over India, the gallery is an amalgamation of artist of distinctive and unique art forms and is count to be one of the most upcoming gallery in India.
16th November – 24th September, 2022
The artist is the lover of nature, therefore he is her slave and her master. Art is neither a ‘reality show’ nor a transcript of reality. But Art can rejuvenate life-scape drawing on events of life or produce an alternative version of life lived in a cherished world of thought and Imagination. These creations make visible either pleasurable imaginations or a life we aspire for, which may be fantasy but not impossible.
30th March – 17th April, 2022
Resonance in Dissonance is a collection of art curated by Renuka Sondhi
Gulati that brings together the varied works across mediums and genres.
Featuring the art works by Anil Bodwal, Gauri Vermula, Jagmohan Bangani,
Meena Deora, Madan Lal, Renuka Sondhi Gulati, Sanjay Roy, Shruti Gupta
Chandra, and Tutu Patnaik, the art show is a coalescence of multiple takes
on life. Premised on the belief of dissonance being the fundamental principle
of diversity, enabling species to thrive, evolve, and survive, the collection of
art suggests approaches, inspirations, beliefs, and the very tools that the
artistic spirit must embrace to pave the way for the world.
6th September – 24th September, 2019
It is raining outside, and with a mug of steaming tea in hand, one makes an acquaintance with Bimmi’s recent body of work. The large (40 x 90 inch) triptych enters sotto voce, into one’s consciousness as the soft surface of dry pastels and texture-white surrenders itself to subtle colours, which emerge from the interiority of the artist’s subconscious rather than being applied upon the surface. It could be a symphony in blue from the sea, off-white or the warm shades of earth tones.
November, 2017
It’s been an earnest effort at Creativity Art Gallery to bring together the artworks of young artist Jagmohan Bangani in “Visual Scriptures”. The show provides an indigenous collection of the artworks which were produced over the period of the last three years.
12th October – 31st October, 2011
Art… a prism which echoes vibrant moods, leaves behind a special significance to the core … What else better than an art piece, can strike the right chord with the sense of the seeker… Splashes of colors on a canvas stroked with a hidden story line, somewhere in it, you find the world you were seeking for long… Just one gaze and you feel if it’s carved just for you only… Such unsettled enigma of emotions is rare to be seen,
2nd December 2011
My fascination towards this master craftsman evolved when I had witnessed his draftsmanship. A great human being with a positive approach and vast vision, are the few words which I can easily say on Madanlal Ji. His works dragged my interest more to know about him and had a hidden wish to work with him as well. My meeting with Madanlal Ji had boosted my moral on a great extent.
12th April – 29th April, 2011
The light-footed ease with which Viren Tanwar moves, in his work, from one phase – series of concerns, in fact – to the other, and then on to the next, keeps one on edge as it were. Some things might appear to remain constant, or at least keep recurring with frequency: the short-stroke candy-stripe grounds, for instance, that impeccable sense of colouring, the elegance of forms, the questions he seems always to be asking.
13th November – 28th November, 2010
Duality is that which operates in opposite directions – it is in order and disorder; in the process of making and unmaking. To call something dual – involves a bifurcation of purpose – showing areas of dissimilarity among the apparent identical things. The conundrums of duality are not exclusively situated in objects rather they get woven into the subject matter.
03rdth December – 07th December, 2010
The announcement of joy, delight and sarcasm; story of life and living is alive in Farhad’s work. He observes human life with a vision of positivity and narrative approach.
01st February – 18th February, 2017
The present scenario of art market is facing changes of choices. The enthusiast young buyers certainly prefer contemporary Indian art in various ways. The concept of buying art as an investment has revived through. In conceptualising this state Creativity Art Gallery has come up with their new exhibition by contemporary masters as “Vision and Vista”…
13th November – 28th November, 2010
BIOGRAPHY is an introduction that illustrates and accounts for the literary genre and merges historical facts with the conventions of narrative while revealing how the biographical context can enrich the study of canonical authors. It provides up-to-date and comprehensive coverage of issues and controversies in life writing. A rapidly growing field of study offers a valuable biographical and historical context for the study of major classic and contemporary authors.
Most of us do not write biography, but probably all of us read it, and many of us consider the form as teachers, librarians, critics.
13th November – 28th November, 2010
If one can decipher the word “impossibilities” to read as “I’ m possibilities” nothing will be impossible to achieve. A pessimist may construe a half filled gas as half empty as half empty and this attitude may goal to crave for more. No impediments or physical disabilities can deter one if he is bolstered by the will to achieve the impossible. Luminaries and icons are the end products of sustained perseverance and commitment smeared with confidence with their heads firmly fixed on their shoulders. The heart bleats till infinity, but it is the fragility of the mind which retards it to achieve the impossible.
6, Ground Floor, Main Road Hauz Khas Village, New Delhi, 110016
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